A radical presentation of the most rigorous form of contemporary yoga as meditation in motion.
The Art of Vinyasa takes a unique look at Ashtanga yoga as meditation in motion that produces profound inner change. Two of the most well-respected teachers of the Ashtanga style of yoga, Richard Freeman and Mary Taylor, explore this rigorous practice not as a gymnastic feat, but as a meditative form. They reveal that doing the practice--and particularly the vinyasa, or the breath-synchonized movements--in such a deep and focused way allows practitioners to experience a profound awakening of the body and mind. It also develops an adaptable, flexible practice that can last a lifetime.
Freeman and Taylor give an in-depth explanation of form, alignment, and anatomy, and how they work together in the practice. They also present a holistic approach to asana practice that includes an awareness of the subtle breath, and seamlessly merges yoga philosophy with practical technique.
Unlike other books on Ashtanga, The Art of Vinyasa does not follow the linear pattern of the sequences of postures that are the hallmark of Ashtanga yoga. Instead, it interlinks the eight limbs--yama and niyama (ethical practices); asana (postures); pranayama (breathing); pratyahara (nongrasping of the senses); dharana (concentration); dhyana (meditation); and samadhi (harmony, insight)--and shows how to establish an internally rooted yoga practice.
The book will be fully illustrated with fifty halftones by esteemed photographer and cinematographer Robert Muratore, along with thirty illustrations.
RICHARD FREEMAN has been a student and practitioner of yoga since 1968. He is one of the first students of Sri K. Pattabhi Jois to be certified in the Ashtanga tradition and teaches workshops and seminars on yoga asana, philosophy, pranayama, and meditation throughout the world. Richard draws from his background in philosophy and years of study in SE Asia to present an interlinking of traditions: Sanskrit studies, Hatha and Tantric Yoga, Sufism, and Buddhism, to bring out a direct experience of the internal methods and forms common to a broad spectrum of traditions. He is the author of The Mirror of Yoga and has also produced a number of videos and audio recordings on yoga, yoga philosophy, and chanting. When not traveling, he and his wife, Mary Taylor, split their time between Colorado and Thailand, where they also teach.
MARY TAYLOR began studying yoga in 1972 and became an avid Ashtanga practitioner in 1987 after her first trip to Mysore, India, to study with Sri K. Pattabhi Jois. She is the cofounder, with Richard Freeman, of the Yoga Workshop, in Boulder, Colorado, which they started 1988. Mary travels and teaches throughout the world both with Richard and on her own. In addition to teaching Ashtanga yoga, Mary works closely with programs focus on bringing contemplative and yoga practices into the health care system for integrative therapies and self care, and she is active in Donna Karan's Urban Zen Foundation.
评分
评分
评分
评分
如果用一个词来形容这本书带给我的感受,那一定是“解放”。在很多体式练习中,我们常常被困在自己对“标准姿势”的执念中,追求完美线条,结果往往适得其反。《瑜伽的艺术》仿佛是一把钥匙,打开了通往真正自由练习的大门。它不是一本教你“做到什么样子”的书,而是一本教你“如何去感受”的书。我尤其喜欢作者在讨论体式转换时的节奏感描述。他用了很多关于音乐、关于流动的词汇来描述力量和放松之间的过渡,比如“如同水银泻地般自然”、“如同松弛的弓弦在回弹”。这种对动态美学的捕捉,让我对练习有了全新的理解——重点不在于你停留在那一刻的僵硬造型,而在于你如何流畅、优雅、有意识地从一个状态过渡到另一个状态。这本书的文字拥有极强的感染力,它不是在告诉你“你应该”怎样,而是在邀请你“可以”怎样。读完之后,我发现自己不再那么在意镜子里的形象,而是更加专注于身体内部能量的流动和稳定,这对于一个长期被外形标准困扰的练习者来说,无疑是一种巨大的精神释放和觉醒。
评分我是一个偏爱东方美学和历史典故的读者,所以当我翻开《瑜伽的艺术》时,我有点担心它会过于现代和西化。我的担忧完全是多余的。这本书的魅力就在于它能够将古老的智慧,用一种极其现代和易懂的方式重新诠释,但绝不流于肤浅。作者在论述体式时,总会不经意地穿插一些关于梵文词源或者古代瑜伽经典中只言片语的引用,这些点缀非常精妙,为整本书增添了一种深厚的文化底蕴和历史纵深感。阅读过程中,我感觉自己不仅仅是在学习如何做体式,更像是在追溯一种跨越千年的身心实践的源头。书中对“专注的凝视点”(Drishti)的讨论,就远远超越了简单的眼神定位,它上升到了“意图”和“方向性”的层面。作者的文字有一种魔力,让你在阅读每一个段落时,都会不由自主地开始内观和审视自己的意图。这本书的文字密度很高,信息量非常扎实,但由于叙述的流畅性,你并不会感到阅读负担,反而会产生一种不断想要挖掘更深层次含义的求知欲。
评分这本名为《瑜伽的艺术》的书籍,真是一本让人深陷其中的文字迷宫。我原以为这会是一本枯燥乏味的体式指南,结果却意外地发现其中蕴含着对生命哲学近乎冥想的探讨。作者的笔触细腻得如同初春的晨露,轻轻地拂过读者的心灵。书中对呼吸与运动之间微妙关系的描绘,简直达到了诗歌的境界。我尤其欣赏作者如何将那些看似简单重复的体式,赋予了全新的、深刻的意义,仿佛每一个体式都不是为了展示身体的柔韧,而是为了触及灵魂深处的宁静。我记得有一章节专门讨论了“流动”的概念,它不仅仅是指体式间的转换,更是一种生活态度的隐喻——如何以一种不抗拒、不强求的姿态,去迎接人生的起伏。书中的语言充满了画面感,我仿佛能透过文字看到夕阳下,练习者与大地融为一体的庄严感。这本书的阅读体验,更像是一场漫长而温柔的内在旅程,它不急于给出答案,而是耐心地引导你,去聆听身体和心智深处最原始的低语。我读完后,立刻去垫子上尝试了一些新的呼吸方法,那种感觉是前所未有的平静和连贯,让人忍不住想把这种“流动感”应用到日常生活的每一个细微之处。这本书的价值,绝非停留在技巧层面,它是一本关于如何“存在”的深度文本。
评分这本书的阅读体验,简直像是一次与一位经验丰富、但又极其谦逊的导师进行的一对一私教课,只不过这位导师是用文字来授业解惑。我最欣赏的是它对于“不完美”的包容。在许多瑜伽书籍中,我们总能看到那些完美无瑕的、似乎只有超人才做得出的体式照片,这常常让人产生挫败感。但在这本书里,作者不断强调,瑜伽是一场实践,而不是一场表演,真正的“艺术”在于你如何以当下的身体状态去接纳和调整。他提供了一系列极其实用的、关于如何在感到紧张或疼痛时,进行“微调”的策略。比如,他详细描述了如何在肩部受限的情况下,通过调整手掌的微小角度来释放压力,而不是一味地去追求深度。这种务实和人性化的指导,让我这个练习多年的瑜伽爱好者都感到如获至宝。它打破了“非黑即白”的练习观,教会我用一种更加慈悲和智慧的态度来看待自己身体的局限性,并将这种理解延伸到对周围世界的接纳上。这本书真正做到了,将一种复杂的身体技术,转化为一种可以被日常实践所吸收的、温和的哲学。
评分说实话,我本来对任何与“艺术”沾边的“瑜伽”书籍都有点敬而远之,总觉得会掺杂太多个人主观的情绪化描述,不够“硬核”。然而,《瑜伽的艺术》彻底颠覆了我的刻板印象。它在保持专业严谨性的同时,又巧妙地融入了一种近乎建筑学的结构感。作者似乎对人体的生物力学有着极其深刻的理解,但呈现出来的方式却毫无说教感。举例来说,当他讲解如何稳定骨盆时,他没有堆砌复杂的解剖学术语,而是用了一种非常巧妙的比喻——将身体比作一座精密的钟表,每一个齿轮(关节)都需要在正确的位置上才能完美运作。这种清晰、有条理的叙事方式,对于我这种更偏爱逻辑和结构的人来说,简直是醍醐灌顶。我反复研读了关于“核心的觉知”那一章,发现它不仅教会了我如何在体式中保持稳定,更让我对“专注力”有了全新的认识。这种专注不是僵硬的紧绷,而是一种持续的、有弹性的内在关注。这本书的排版和插图设计也极具匠心,它们的克制和留白,恰到好处地烘托了文字的重量感,营造出一种沉静的阅读氛围,非常适合在深夜里,点上一盏微弱的灯光,进行一次精神上的深入探索。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有