While many acknowledge that Friedrich Nietzsche and Michel Foucault have redefined our notions of time and history, few recognize the crucial role that "the infinite relation" between seeing and saying (as Foucault put it) plays in their work. Gary Shapiro reveals, for the first time, the full extent of Nietzsche and Foucault's concern with the visual. Shapiro explores the whole range of Foucault's writings on visual art, including the theory of visual resistance, the concept of the phantasm or simulacrum, and his interrogation of the relation of painting, language and power in artists from Bosch to Warhol. Shapiro also shows through an excavation of little-known writings that the visual is a major them in Nietzsche's thought. In addition to explaining the significance of Nietzsche's analysis of Raphael, Durer and Claude Lorrain, he examines the philosopher's understanding of the visual dimension of Greek theatre and Wagnerian opera and offers a powerful new reading of "Thus Spoke Zarathustra". "Archaeologies of Vision" should be a valuable work for all scholars of visual culture as well as for those engaged with continental philosophy.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
流暢得讓人稍擔憂探討的深準度，一些不夠深入的地方有落入僅僅列舉兩位哲學傢關於視覺作品的文字之嫌，另有幾處明顯讓人感覺到福柯的思路並不能簡單套用到藝術史研究中，但是整體是本相當不錯的書
评分流暢得讓人稍擔憂探討的深準度，一些不夠深入的地方有落入僅僅列舉兩位哲學傢關於視覺作品的文字之嫌，另有幾處明顯讓人感覺到福柯的思路並不能簡單套用到藝術史研究中，但是整體是本相當不錯的書
评分流暢得讓人稍擔憂探討的深準度，一些不夠深入的地方有落入僅僅列舉兩位哲學傢關於視覺作品的文字之嫌，另有幾處明顯讓人感覺到福柯的思路並不能簡單套用到藝術史研究中，但是整體是本相當不錯的書
评分inspiring tapestry with paraphrastic threading
评分流暢得讓人稍擔憂探討的深準度，一些不夠深入的地方有落入僅僅列舉兩位哲學傢關於視覺作品的文字之嫌，另有幾處明顯讓人感覺到福柯的思路並不能簡單套用到藝術史研究中，但是整體是本相當不錯的書
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