Alice, a novelist, meets Felix, who works in a distribution warehouse, and asks him if he'd like to travel to Rome with her. In Dublin, her best friend Eileen is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood.
Alice, Felix, Eileen and Simon are still young-but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?
Sally Rooney is the author of the novels Conversations with Friends and Normal People. Her writing has appeared in the New Yorker, the New York Times, the London Review of Books and elsewhere. Conversations with Friends was shortlisted for both the Dylan Thomas Prize and the Rathbones Folio Prize, and longlisted for the Desmond Elliott Prize. Rooney was also shortlisted for the Sunday Times EFG Short Story Award for 'Mr Salary' and was the winner of the Sunday Times/PFD Young Writer of the Year Award. Normal People was the Waterstones Book of the Year 2019 and won the Costa Novel of the Year in 2018. It was longlisted for the Man Booker Prize in 2018, as well as the Women's Prize for Fiction and the Rathbones Folio Prize in 2019. Sally Rooney co-wrote the television adaptation of Normal People which was broadcast on the BBC in 2020, and for which she was nominated for an Emmy award.
你永远可以信任萨莉·鲁尼的文本结构。《Normal People》行云流水般的倒叙、插叙,带来读者新鲜的仿佛解密一般的阅读体验。每一章总是以新的时间线和新的人物关系动态来开启,然后再不慌不忙地展开,告诉读者是什么导致了这种新的动态。 而在新书《Beautiful World, Where Are ...
评分2.5⭐️ One star for the success of finishing the marathon (YEAH First and foremost, the newest release of Sally Rooney is enjoyable on the literary level and I admire her so much for her making every word counts. But I wish I could love the book more t...
评分艾丽丝说艾琳是天才,一颗无价的珍珠, 哪怕那些真正赏识她的人也还没认识到她的全部才华。 艾琳说艾丽丝是破局者, 独一 无二,超前于她的时代。 这是一本带给人惊喜、温暖和力量的小说。 我看到了一对旗鼓相当互相支持的闺蜜, 两对互相靠近、各有问题却终成眷属的情侣, 以...
评分I wasn’t expecting much out of it but am still disappointed. Superficial, self absorbed, and lengthy monologue about pre-middle life crisis (yes the book is still a monologue of Rooney’s despite the polyphonic narratives and her attempts at writing the st...
评分4 優缺點都很明顯。一貫的細膩但也有點裝逼。明顯看到Rooney想跳出舒適區但反而不及前兩本寫學生圈子那麼自然流暢,兩對cp中Eileen和Simon這對年齡差組合是延續前兩部的設定,都是心靈受創渴愛乖乖女和穩重成熟爛好人(中央空調)的青梅竹馬虐戀,Rooney寫這種設定的確所向無敵。不過Simon的天主教徒身分挺有趣的,他倆有次開船之後去彌撒簡直就是侯麥的道德故事。比較突破的就是Alice和Felix這對,Alice明顯是作者本人爆紅後的化身,Felix反而在前兩本找不到類似的角色,基本上是4人組裡經常發表一針見血的評論的正常人,不過他的角色塑造也是最單薄。寫派對晚宴那兩章有點Woolf捕捉生命的吉光片羽的上帝視角的味道,的確花了心思,就是最後疫情封城那兩封郵件畫蛇添足,還是心軟了
评分额。。。。额。。。。sally老师下次换个东西写吧 有点感觉被困住了,都开始happy ending了
评分4 優缺點都很明顯。一貫的細膩但也有點裝逼。明顯看到Rooney想跳出舒適區但反而不及前兩本寫學生圈子那麼自然流暢,兩對cp中Eileen和Simon這對年齡差組合是延續前兩部的設定,都是心靈受創渴愛乖乖女和穩重成熟爛好人(中央空調)的青梅竹馬虐戀,Rooney寫這種設定的確所向無敵。不過Simon的天主教徒身分挺有趣的,他倆有次開船之後去彌撒簡直就是侯麥的道德故事。比較突破的就是Alice和Felix這對,Alice明顯是作者本人爆紅後的化身,Felix反而在前兩本找不到類似的角色,基本上是4人組裡經常發表一針見血的評論的正常人,不過他的角色塑造也是最單薄。寫派對晚宴那兩章有點Woolf捕捉生命的吉光片羽的上帝視角的味道,的確花了心思,就是最後疫情封城那兩封郵件畫蛇添足,還是心軟了
评分两个女孩的通信太奇妙了,既细腻地描述了自己的心理状态,又对这个世界有所思考。相比两对情侣的亲密关系,我更喜欢借那些Email传递出来的对世界的温柔,以及女孩们看似冷淡和厌世的表面下对爱的渴求。尤其是Eileen刚刚与Simon建立连接以后,她感到学生时代的那种自由和对美的感知又回来了。“The nearness, the possibility of beauty, like a light radiating softly from behind the visible world, illuminating everything.” 不足之处,在我看来也在于两个女性的救赎终归还是要靠男性得以完成。四个人中相对最清醒的Felix是一个工人阶级男性,虽然他很可爱,但还是不免讨巧了些。
评分4 優缺點都很明顯。一貫的細膩但也有點裝逼。明顯看到Rooney想跳出舒適區但反而不及前兩本寫學生圈子那麼自然流暢,兩對cp中Eileen和Simon這對年齡差組合是延續前兩部的設定,都是心靈受創渴愛乖乖女和穩重成熟爛好人(中央空調)的青梅竹馬虐戀,Rooney寫這種設定的確所向無敵。不過Simon的天主教徒身分挺有趣的,他倆有次開船之後去彌撒簡直就是侯麥的道德故事。比較突破的就是Alice和Felix這對,Alice明顯是作者本人爆紅後的化身,Felix反而在前兩本找不到類似的角色,基本上是4人組裡經常發表一針見血的評論的正常人,不過他的角色塑造也是最單薄。寫派對晚宴那兩章有點Woolf捕捉生命的吉光片羽的上帝視角的味道,的確花了心思,就是最後疫情封城那兩封郵件畫蛇添足,還是心軟了
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