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Shaping the Lotus Sutra 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Shaping the Lotus Sutra

简体网页||繁体网页
Eugene Y. Wang 作者
University of Washington Press
译者
2007-2-15 出版日期
536 页数
USD 60.00 价格
Paperback
丛书系列
9780295986852 图书编码

Shaping the Lotus Sutra 在线电子书 图书标签: 艺术史  佛教  佛教美术  佛教史  经变画  宗教  汪悦进  图像   


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发表于2024-04-29


Shaping the Lotus Sutra 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Shaping the Lotus Sutra 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Shaping the Lotus Sutra 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Shaping the Lotus Sutra 在线电子书 著者简介

Eugene Y. Wang is Abby Aldrich Rockefeller Professor of Asian Art, Harvard University.


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Shaping the Lotus Sutra 在线电子书 图书描述

The Lotus Sutra has been the most widely read and most revered Buddhist scripture in East Asia since its translation in the third century. The miracles and parables in the "king of sutras" inspired a variety of images in China, in particular the sweeping compositions known as transformation tableaux that developed between the seventh and ninth centuries. Surviving examples in murals painted on cave walls or carved in relief on Buddhist monuments depict celestial journeys, bodily metamorphoses, cycles of rebirth, and the achievement of nirvana. Yet the cosmos revealed in these tableaux is strikingly different from that found in the text of the sutra. Shaping the Lotus Sutra explores this visual world.

Challenging long-held assumptions about Buddhist art, Eugene Wang treats it as a window to an animated and spirited world. Rather than focus on individual murals as isolated compositions, Wang views the entire body of pictures adorning a cave shrine or a pagoda as a visual mapping of an imaginary topography that encompasses different temporal and spatial domains. He demonstrates that the text of the Lotus Sutra does not fully explain the pictures and that a picture, or a series of them, constitutes its own "text." In exploring how religious pictures sublimate cultural aspirations, he shows that they can serve both political and religious agendas and that different social forces can co-exist within the same visual program. These pictures inspired meditative journeys through sophisticated formal devices such as mirroring, mapping, and spatial programming - analytical categories newly identified by Wang.

The book examines murals in cave shrines at Binglingsi and Dunhuang in northwestern China and relief sculptures in the grottoes of Yungang in Shanxi, on stelae from Sichuan, and on the Dragon-and-Tiger pagoda in Shandong, among other sites. By tracing formal impulses in medieval Chinese picture-making, such as topographic mapping and pictorial illusionism, the author pieces together a wide range of visual evidence and textual sources to reconstruct the medieval Chinese cognitive style and mental world. The book is ultimately a history of the Chinese imagination.

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